A new biography, Sanjeev Kumar: The Actor We All Beloved, takes audience by the ups and downs of his existence and profession
A new biography, Sanjeev Kumar: The Actor We All Loved, takes viewers through the ups and downs of his life and career
In the early 1960s, the famous actor Prithviraj Kapoor watched a stage adaptation of Arthur Miller’s ‘All My Sons’ in Mumbai. He was curious to know who performed the old guy, and was shocked when he was informed that the actor was 23-yr-previous Haribhai Jariwala, who eventually grew to become famous as Sanjeev Kumar in films.
Filmmaker-lyricist Gulzar remembers this incident in the lately-unveiled reserve, Sanjeev Kumar: The Actor We All Liked, by Reeta Ramamurthy Gupta and Uday Jariwala (the actor’s nephew). “He could not have got a more substantial compliment,” claims the veteran.
Sanjeev Kumar could easily in shape into any job. In the brief span of his daily life (he died at the age 47), he gave Hindi cinema some really memorable moments. When he handed away actor Tanuja experienced claimed, “There will never be an actor of his calibre yet again. His legacy is untouchable.”
Sanjeev Kumar’s film career
Fondly known as Haribhai, he acted in 155 Hindi films, which includes an uncredited appearance in Hum Hindustani (1960), and a cameo in Aao Pyaar Karen (1964). Following H.S. Rawail’s Sunghursh with Dilip Kumar and Vyjayanthimala, he played supporting roles in two of Hrishikesh Mukherjee’s movies, Aashirwad and Satyakam. Nonetheless, it was Chander Vohra’s Khilona (1970) that immensely boosted his vocation. His efficiency in the movie of a gentleman who loses his psychological equilibrium soon after witnessing a disturbing incidence received him rave opinions. By the way, it was his 36th Hindi film, an indicator of his long battle. But following Khilona, there was no halting Sanjeev Kumar.
In the early 1970s, when Rajesh Khanna was the reigning superstar and Amitabh Bachchan was starting to make a mark, Sanjeev Kumar held his individual place by actively playing various and interesting roles. Immediately after Khilona, he performed a deaf and mute character in Gulzar’s Koshish (1972), co-starring Jaya Bhaduri. Koshish fetched him his second National award, soon after Rajendra Singh Bedi’s 1970 release Dastak, co-starring Rehana Sultan. He then went on to perform nine roles in A. Bhimsingh’s Naya Din Nayi Raat. In 1974, he shared display space with Rajesh Khanna and Mumtaz in J. Om Prakash’s Aap Ki Kasam, impressing in a scaled-down purpose. The 12 months 1975 was potentially his most prosperous, with Aandhi, Mausam and Sholay. In 1982, Gulzar’s Angoor and Namkeen extra to his prolonged list of functional performances.
The e-book, revealed by Harper Collins, not only talks about his prosperous movies and the not-so-effective types, but also highlights other variables that produced him what he was. These include things like his adore daily life, final decision to continue to be unmarried, shut friendships, deteriorating health, really like for food, cigarette smoking and drinking. It talks of how he was eager to marry Hema Malini, who he fulfilled on the sets of Ramesh Sippy’s Seeta Aur Geeta. Even his mom, whom he was really close to, was in favour of the relationship, but she eventually married Dharmendra. Then, there was Sulakshana Pandit, who was in really like with Sanjeev Kumar.
In the e book, Tanuja is quoted as stating about how his mother’s demise led to his liquor dependancy. “After her passing, he wouldn’t hear to any person.” Actor Parikshat Sahni recalls an incident when the two of them visited a Chinese restaurant in Las Vegas, even though taking pictures for the 1982 film Suraag. Sanjeev purchased so much food that the waiter thought there ended up some extra persons joining them. He was stunned to see that besides the smaller portion that Parikshat had the actor finishing it all by himself.
The actor in Sholay.
| Picture Credit rating: The Hindu Archives
In the latest past, this is the next reserve on the actor, just after the Penguin Random Residence India publication, An Actor’s Actor by Hanif Zaveri and Sumant Batra. This e book carries a foreword by Paresh Rawal, an introduction by filmmaker Rakeysh Omprakash Mehra and epilogue by Vidya Balan. “He used his voice extremely properly. He didn’t have the baritone of Amitabh Bachchan, but he was particularly clever and knew what to do with his voice. He was a potent actor he owned the display screen when he was on it,” writes Paresh.
The book is filled with anecdotes, like the a single about how Amitabh Bachchan persuaded him to accept Silsila, following he had said ‘no’ to director Yash Chopra. There are chapters the place near pals Gulzar, Sachin Pilgaonkar, Shatrughan Sinha, Randhir Kapoor, Tanuja, Anju Mahendru, Sharmila Tagore and Moushumi Chatterjee describe his character.
As Vidya Balan claims in the epilogue, “(He) was limitless mainly because he had no established methods. He imbued truth into the most banal of moments. He manufactured all the things believable. He just turned the character.” That is a ideal analysis of the genius that was Sanjeev Kumar.
The writer is a Mumbai-centered freelance journalist.