- 1 Director Ritesh Rana discusses the surreal globe he has produced for his new Telugu comedy ‘Happy Birthday’ and its link to his debut task, ‘Mathu Vadalara’
- 2 Director Ritesh Rana discusses the surreal globe he has produced for his new Telugu comedy ‘Happy Birthday’ and its website link to his debut job, ‘Mathu Vadalara’
- 3 Ritesh Cinematic Universe?
- 4 Dignified comedy
Author and director Ritesh Rana considers his maiden Telugu film, the 2019 crime comedy Mathu Vadalara, his contacting card. He hopes that his 2nd film Joyful Birthday, which he describes as a surreal criminal offense comedy thriller, will aid cement his posture in Telugu cinema: “I want to narrate distinct types of tales and create an audience that would search forward to my movies.” Delighted BIrthday stars Lavanya Tripathi as Delighted and she is accompanied by Naresh Agastya, Satya and Vennela Kishore.
Ritesh grew up in Hyderabad viewing Chiranjeevi films, given that his relatives associates have been big followers of the star. Mathu Vadalara experienced a handful of references to Chiranjeevi hits. Afterwards, he was fascinated by director Chandrashekhar Yeleti’s criminal offense drama Aithe: “I viewed the film in my Class X holiday seasons and was awestruck. Yeleti was an inspiration for me to enter the cinema. Incidentally, Cherry, who produced Yeleti’s Okkadunnadu, is one particular of the producers (as component of Mythri Film Makers) for my movies.”
An ardent film buff, Ritesh applied to share his views on cinema on IMDB dialogue boards. Soon after graduating with B.Com (Hons), he took up an animation program and a length schooling programme in MA Mass Communication from Sikkim Manipal University: “The animation training course also introduced me to enhancing I created a small film as section of undertaking work. All this served me discover the fundamentals of filmmaking.”
Ritesh Cinematic Universe?
Director Ritesh Rana
| Photo Credit history: Particular Arrangement
Each Mathu Vadalara and Joyful Birthday are unconventional crime capers and Ritesh reveals that there is a connection in between the two films. People who have viewed Mathu… would remember the running joke in the form of an eccentric tv serial in the film, named Ore naa kodaka, in which the spouse is shot on his brow in an preliminary scene but undertakes a extended, harrowing and hilarious journey, without succumbing: “ Satisfied Birthday’s tale discusses the use of guns and in this surreal earth we established, the couple from that television serial are actual characters.”
Director Lokesh Kanagaraj not too long ago joined his before Tamil movie Kaithi with the story he wrote for Kamal Haasan-starrer Vikram and in change linked it to the 1986 Kamal movie of the similar identify, thereby creating what his supporters expression as an LKU (Lokesh Kanagaraj Universe). Ritesh downplays any these kinds of grandiose comparisons and maintains that this is a compact film. Both films use a selection of guns, albeit in diverse contexts.
For a hypothetical gun bazaar in Happy Birthday, the creation workforce sourced various guns: “We needed 300 to 400 guns and kilos of bullets. We sourced guns with authorization from people who lease weapons for film shootings. Just like there are numerous brand names and variants of mobile phones, there is no dearth of guns. We bought specialised guns in shades of gold, silver and diamond-studded kinds,” claims Ritesh. The trailer also demonstrates glimpses of a sweet pink gun.
Vennela Kishore as minister Rithwik Sodhi in ‘Happy Birthday’
| Picture Credit history: Distinctive Arrangement
A lot of of Ritesh’s collaborators from Mathu Vadalara are also a section of Pleased Birthday – these kinds of as audio composer Kaala Bhairava, co-author Teja, actors Satya, Vennela Kishore and Naresh Agastya. For the portion of a politician who talks about legalising gun society, Ritesh felt Vennela Kishore could pull off “the dignified comedy” and states he is a fan of Satya’s comic timing as nicely. Lavanya Tripathi was forged soon after he spotted her in a tv job interview, allowing her humorous facet shine: “Most movies she has acted in have not explored her enjoyment side,” suggests Ritesh.
To complement the wacky story, the generation staff made 13 quirky and color-coded sets. Ritesh is a enthusiast of output layout in Wes Anderson films and suggests the group went all out to check out one thing new: “A portion of the tale comes about in a resort and some parts on the streets. The story is non-linear, narrated as chapters and diverse segments demanded unique colour techniques.”
Questioned if the tale explores the aftermath of legalising gun lifestyle in the surreal environment, Ritesh clams up: “Anything I say will give absent far too significantly about the story. I can just say that the humorous content material will have the audience laughing for the most section of the film.”