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Much better Connect with Saul season 6 episode 8 review: A fitting showcase for one of TV’s biggest-ever villains

That was a long 7 weeks, wasn’t it? It’s been a minimal under two months given that Greater Get in touch with Saul embarked on its mid-period break – leaving followers on one particular hell of a cliffhanger. Whilst the show’s creators may well insist that the crack hadn’t been factored into the ultimate season’s pacing, there could barely have been a far more powerful time to hit pause: the last time we observed Jimmy (Bob Odenkirk) and Kim (Rhea Seehorn), they have been staring down the leonine eyes of Lalo Salamanca (Tony Dalton), times just after he experienced strolled by means of their door and shot Howard Hamlin (Patrick Fabian) by the head.

The entirety of this episode (entitled “Point and Shoot”) normally takes area in the speedy claustrophobic aftermath of this instant. It speedily transpires that Lalo is there to coerce his onetime legal professional into carrying out a shock strike: he is instructed to wander up to the doorway of Gus Fring (Giancarlo Esposito), hold out till it opens, and then retain shooting. (The proposed assassination has extra than a couple of echoes of the Jesse-Gale killing at the conclude of Breaking Undesirable’s third season). Obviously – as any Breaking Undesirable viewer appreciates, of program – issues really do not close with Gus’s brains splattered across his lobby. But we’ve viewed enough of Lalo to know that there’s normally an additional angle at enjoy.

As a piece of tightly-wound style television, “Point and Shoot” is almost nothing limited of exemplary. Even when the stakes are life and demise, and the soundtrack has crescendoed into a sustained, significant-octane throb, there’s continue to a one-of-a-type endurance to Superior Phone Saul’s pacing, from the methodical way pictures are stitched alongside one another to the self-assured, dialogue-totally free stretches of heightened stress.

Also vital to pulling off an episode as outlandish and consequential as this 1: it by no means loses sight of its characters. Seehorn, ever fantastic, exhibits but an additional new facet to Kim’s character right here, with the character in comprehensive-bore stress manner from the off. Esposito, too, will get the possibility to glow. (Greater Simply call Saul’s repositioning-by-stealth of Gus Fring, from principal villain in Breaking Bad to some thing far more akin to an antihero in this article, has been a single of the show’s defter sleights of hand.) Over all, even so, this episode is a showcase for Lalo, and for the quicksilver allure of Dalton.

At what stage do we all collectively concur to admit Lalo Salamanca into the pantheon of finest Tv set villains? Breaking Bad had its share of humdingers – the twins, creepy Todd, Gus of study course – but considering the fact that his energising arrival in Better Phone Saul period four, Lalo has distinguished himself as the series’ most riotously entertaining existence. He’s a villain for the ages, and “Point and Shoot” offers him however an additional glorious showcase.

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