The raffish charisma and sinister, saturnine handsomeness of Javier Bardem is what raises this film above the typical of soap-opera … mainly. Undoubtedly, it would be fewer with no that terrific slab of a beau-moche deal with looming in excess of the motion, additional weighty-lidded and sensual in center age: part matinee idol, element gargoyle. This is a place of work comedy-satire from Spanish film-maker Fernando Léon de Aranoa, and it has been a big accomplishment on his dwelling turf. His 2005 film Mondays in the Sun also starred Bardem as just one of a group of morose fellas coming to conditions with unemployment – but listed here Bardem goes from employee to management by participating in Blanco, the owner of a successful manufacturing unit generating scales, a product which is to do considerably metaphorical large lifting in the drama that follows. These array from very small hi-tech kitchen devices to large agricultural scales, for weighing out livestock.
Blanco prides himself on a condescendingly fatherly strategy to his workforce, usually providing speeches sentimentally reminding his staff members he has no children with his stylish wife Adela (Sonia Almarcha) and declaring that they are all his household. But it is a incredibly dysfunctional loved ones and Blanco is in actuality blandly and complacently sexist and racist. He is in the practice of seducing interesting feminine interns (the movie reveals that he creepily has a specified “type”) and dismissing them at the conclude of their placement with a minor present of jewellery. Blanco’s company is up for an business award, but there are complications with his govt staff and Blanco is furious that a sure employee, Jose (Óscar de la Fuenta) whom he has just built redundant with a derisory payoff, has now established up a protest camp just outside the house the manufacturing facility which could sour the judges’ mood on their way in.
So most likely just to unwind, Blanco seduces another intern: Liliana (Almudena Amor), who appears to be outrageously forward with him from the outset. But there is some thing Blanco does not know about Liliana, and his eventual discovery accelerates a sort of breakdown or unravelling that has been a extensive time coming. Blanco has always taken it upon himself to get associated in his employees’ own life, and he does this much more and additional, eliminating the lids from all types of cans of worms, in an endeavor to exert regulate above this strange parodic loved ones whom he surveys from his executive workplace which is placed superior previously mentioned the shop floor.
The Excellent Manager rattles together watchably plenty of: even though perhaps it would have been greater as a 4-section Television set drama. Some of its characterisation and scene-location is, moreover, a bit on the nose. The subplot involving Liliana is really excellent: most likely the complete motion picture really should simply just have been about this, whilst that could possibly tilt it in direction of a kind of satirical grotesquerie that the director didn’t want. But Bardem’s all-natural design and charisma retains the movie in location. There is something just about Mephistophelean in his brooding watchfulness: he is perhaps far more the tempter than the tempted, more the invisible figure whispering in Blanco’s ear, than Blanco himself. Nonetheless Bardem is a quite human deal with of petty managerial corruption.